Valentino says it with flowers at the Paris Fashion Week show | Entertainment

The general public was staring incredibly from the actual cafe in the Marais area outside the venue. But they too, with vibrant applause, took some action when the model spilled into the real Parisian streets following the show with countless sparkling, colorful designs.

The highlights of the Spring 2022 collection, announced on Friday, are:

Valentino’s Pierpaolo Piccioli, in the heart of the Marais district, one of the most fashionable and streetwise districts in Paris, has her hair down. It has become a vibrant and diverse collection entitled “In the City of Paris”.

For spring, his purpose was to show the fashion to wear on the street. And he literally did it.

There were glittering gold sequins, stunning colors, baggy jeans, and shiny Juliet sleeves that struck the 80’s. This season, Italian designers have moved towards a welcome with a disco.

Still, despite the hustle and bustle of the street, the design remained sophisticated. One of the loose emerald menswear suits has a delicate flare of lavender silk flapping from below. Silken material has ensured that this collection maintains a true sense of luxury throughout.

“(This is) what was thought of as real life, not as streetwear,” revealed Piccioli’s intended home.

At the end of the show, like a real Jambon-beur, guests were handed a bouquet of local flowers procured from a real flower vendor in the Ile-de-France region, and the model ran through the streets of the city, cheering thunder. ..

Water elasticity was the anchor of Issey Miyake’s collection, which features swimming caps and brightly colored hats that resemble marine life.

But it was the purest form that began the Friday collection — against a background of minimalist square panels.

The sporty vest is a subdued, pale pastel color that sets the spring tone. It was the top of a dress made up of Japanese lanterns with a flat skirt. This idea of ​​flattened three-dimensional shape pervaded all 40 looks. The lantern motif has also been reproduced on some important items. One is that the model has a hole in the chest like a talisman.

Instead of regular lantern ribs, Japanese homes, known for their use of techno fabrics, have adopted elastic pleats to give structure and bounce to the bottom of lightweight dresses. The house called this the “link ring” motif.

It was a soft and wearable display.

Raf Simons’ Girlfriend-The Wolf of Wall Street

Paris Fashion Week has blurred the boundaries between men’s and women’s fashion for years. Raf Simons has incorporated this proven theme into his spring show, but has pushed it a bit further.

This was a collection exploring androgynous in a corporate office. This is the last place that comes to mind as a non-binary safe space.

At Bourse de la Commence, we submitted a finely tailored business-like jacket over a gray skirt with a frilled bias. The model sported gender-independent grunge-style hair. This is a long style that was all the rage in the mid-1990s.

Simple oversized tops and large strips of bare fabric add the minimalist touch often found in Belgian designers who once designed for Dior.

However, there were some color splashes that broke the collection, and in other cases we used the mute palette. The red print permeated the front of the black jacket, and the blue text on the skirt appeared to be sprayed as graffiti.

MCQUEEN RECRUITS PHOTOGRAPHIC ARTISTS

Many homes still have only a digital presence during Fashion Week, so some are engaged in focused campaigns to promote their designs. Alexander McQueen is one of them. The brand launched a global art fashion campaign this season. The campaign asked photographers to snap a popular tread slick book in a natural environment. Photographers such as Katie Burnett, Max Farago, Gwen Trannoy and Charlie Gates participated in the project, shooting cool sole boots at the water’s edge, on rocks, next to flowers and covered with foam. It’s probably as romantic as Fashion Week gets.

Thomas Adamson can follow at Twitter.com/ThomasAdamson-k